Andrei Streliaev - organ

Saturday, May 22, 7:30 p.m.
Free-will offering (proceeds go to charity)
St. John’s Anglican Church, York Mills
19 Don Ridge Drive, Toronto
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The Eagle is a 1925 silent film starring the 1920’s romantic film star Rudolph Valentino. Directed by Clarence Brown, it also stars Vilma Banky, Louise Dresser and James A. Marcus. The film is based on the story Dubrovsky by Alexander Pushkin.

Synopsis (courtesy of Wikipedia)

Vladimir Dubrovsky (Rudolph Valentino), a Cossack serving in the Russian army, comes to the notice of the Czarina (Louise Dresser) when he rescues Mascha (Vilma Banky), a beautiful young lady, and her aunt trapped in a runaway stagecoach. He is delighted when the Czarina offers to make him a general but horrified when she tries to seduce him. He flees and the Czarina puts a price on his head.

Soon afterwards he receives a letter from his father informing him that the evil nobleman Kyrilla Troekouroff (James A. Marcus) has taken over his lands and is terrorizing the countryside. Hurrying home, Vladimir learns that his father has died. Vowing to avenge his father and help the victimized peasantry, he adopts a black mask and becomes the Black Eagle, a Robin Hood figure. Discovering that Kyrilla is Mascha's father, he takes the place of a tutor who has been sent for from France, but not previously seen by anyone in the household. Vladimir is thus able to become part of Kyrilla's household. As Vladimir's love for Mascha grows, he becomes more and more reluctant to continue seeking revenge against her father, and the two eventually flee the Troekouroff estate. Vladimir is captured by the Czarina's men, but the Czarina, once determined to have him executed, has a last minute change of heart, and she allows Vladimir, given a new French name, and Mascha, to leave Russia for Paris.

Valentino's previous few films had not been particularly well received, but The Eagle proved to be a strong comeback for him, getting good reviews from the critics and doing well at the box office. The Eagle is notable in cinematic history for its famous extended tracking shot of the food laden table in the banquet